History

Moving in November has had an important role as a catalyst of dance performance activities since the 1980s. In the beginning, it provided a platform for Finnish contemporary dance during a time when the infrastructures of dance were almost non-existent.

The festival was founded at a time when international dance performances were rarely seen in the Helsinki area. The amount of international programming grew year by year, and Moving in November became an important window into the international dance scene. As contemporary dance in Finland searched for recognition and better conditions, the festival proved that the dance is an interesting, international art form.

Moving in November has established its position as the most significant contemporary dance event in the Helsinki metropolitan area. Again and again, the festival challenges audiences to see the artistic potential of the moving body.

Moving in November’s role as a forerunner is clearly revealed in the festival’s 25th anniversary chronicle, published in 2011. Throughout the years, it has introduced Finnish audiences to many European key figures in contemporary dance. Its programming has never merely copied other festivals, but rather presented breakthrough dance companies and topical works that have strongly influenced the Finnish dance field and artistic discourse.

Throughout the years, Moving in November has introduced Finnish audiences over one hundred international works and co-produced dozens of premieres. It has provided production opportunities for Finnish dance makers and broadened the audience of contemporary dance.

In the 2000s, Moving in November has brought key figures of the international dance scene to Finland. In the 2010s, the festival has taken a more proactive role in the production of contemporary dance, both in Finland and abroad, and in the new directions of dance discourse.

The aim of the festival is to continue bringing internationally interesting, enlightening and topical dance works to Finland, and to strengthen its role in the international dance production field.

The festival celebrated its 30th anniversary in 2016.

Read the Moving in November 30th anniversary publication

Read the Moving in November 25th anniversary publication

 

Festival programmes 2005-2017

2017

Jefta van Dinther: Dark Field Analysis
Sonja Jokiniemi: Blab
Dana Michel: Mercurial George
Ola Maciejewska: Bombyx Mori
Daina Ashbee: Pour
Claire Vivianne Sobottke: Strange Songs

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2016

Omar Rajeh & MaHa: Zaafaran
Eeva Muilu:
Dana Michel: Mercurial George
Jaamil Olawale Kosoko: #negrophobia
Alessandro Sciarroni: UNTITLED_I will be there when you die
Lea Moro: (b)reaching stillness

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2015

Noé Soulier: Removing
Veli Lehtovaara: Clandestine sites: Displaced
Isabelle Schad: Fugen
Antony Hamilton & Alisdair Macindoe: Meeting
Eszter Salamon: MONUMENT 0 – Haunted by Wars (1913–2013)

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2014

Benôit Lachambre: Snakeskins
Pieter Ampe: So you can feel
Christoph Winkler: The True Face – Dance is Not Enough
Dana Michel: Yellow Towel
Jefta van Dinther: As It Empties Out

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2013

Olga de Soto: An Introduction
Jérôme Bel: Disabled Theater
Ula Sickle/Yann Leguay: Light Solos
Pierre Droulers: Soleils
Elina Pirinen: Personal Symphonic Moment
Meg Stuart: Violet
Andrea Pfalzgraf: I Love Me (elokuva)

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2012

Maija Hirvanen: For those who have time
Jefta van Dinther, Minna Tiikkainen & David Kiers: GRIND
Frédérick Gravel: Usually Beauty Fails
Jeremy Wade: Fountain
Jonathan Burrows & Matteo Fargion: Cheap Lecture & The Cow Piece
Lisbeth Gruwez/Voetvolk: It’s going to get worse and worse and worse, my friend

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2011

Dasha Mazurka: Doubt in Frame/Queen of Sweden Killed Descartes
Pierre Droulers: de l’air et du vent
Noé Soulier: Ideography
Rachid Ouramdane: Exposition Universelle
Anne Collod: parades & changes, replay in expansion
Ruedi Gerber: Breath Made Visible (screening)
Alain Buffard: My Lunch with Anna (screening)
Thierry de Mey: One Flat Thing, reproduced; La Valse; Prélude á La mer (screening)

2010

Jefta van Dinther & Mette Ingvartsen: It’s in the Air
Cecilia Bengolea & Francois Chaignaud: Sylfidit
Martine Pisani: Sans
Monika Gintersdorfer & Knut Klaßen: Logobi 01
Monika Gintersdorfer &Knut Klaßen: Logobi 05
Zoo/Thomas Hauert: You’ve Changed
Und er Libet: Gisellen keveys ja kuolema
Ruedi Gerber: Breath Made Visible (screening)

2009

Mathilde Monnier & La Ribot: Gustavia
Ivo Dimchev: Lili Handel
Eeva Muilu and Milja Sarkola: In Human Disguise
Liquid Loft: Running Sushi
Antonia Baehr: Laugh

2008

Sasa Asentic: My private biopolitics
Tommi Kitti: riffi
Jérôme Bel: The show must go on
Ayelen Parolin: Tropeau/Rebaño
Heli Meklin & Michael Laub: Bruce and more
Marc Rees: Gloria Days

2007

Ivana Müller: While We Were Holding It Together
Martin Bélanger: Spoken word/body
Joji Inc Johanne Saunier/Jim Clayburgh: Erase-E(x)
Karttunen Kollektiv: My Imaginary Friend Is with Me
Eeva Muilu: Loppuunmyyty

2006

Jonathan Burrows ja Matteo Fargion: Both Sitting Duet
Hiroaki Umeda: While going to a condition as well as videos Quantize and Montevideoaki
Julia Cima: Visitations
Eszter Salamon: Reproduction
Paula Tuovinen: Revenge
Teemu Määttänen: Seuraavalla kerralla
Kirsi Monni: Lichtweg – Friedenplatz

2005

Les Ballets C. de la B, Koen Augustijn: 
Bâche
Mouvoir/Stephanie Thiersch: 
Under Green Ground
NEUER TANZ: 
Revolver
Liisa Pentti + Co: 
1-0, matériel du coeur